Head Looking Up Drawing Reference
The process is the same to draw a face that s looking down.
Head looking up drawing reference. Start by designing their head and face so you can sketch what they look like. So i figured drawing poses using photos of interesting models and characters will be much more stimulating with that in mind i put together a library of images of cool models and poses for people to practice gesture drawing. However having a basic understanding of drawing and a grounding in head anatomy will enable you to confidently experiment and these skills will definitely improve your drawings. Draw the hair around the head and add a hairline or bangs.
Also try to make a quick note of where the head is looking up down left right. Handy is mobile artist s reference tool consisting of a rotatable 3d lit hand with a variety of poses useful for drawing. It also includes several heads you can rotate and custom light great for getting basic lighting or angle reference. With each pose i will look for the head and quickly draw the outline before moving on to the rest of the pose.
Once you add the eyes nose ears and mouth you can erase your guidelines and sketch in a hairstyle. I ve been asked several times to make a video of how to draw a head in different views. This page will show you how to draw a face moving from initial drawings to using references containing different faces to draw and sharing our specific techniques. To draw the head from any angle you must first understand its basic structure.
You can also add bangs that swoop down over the forehead or you can draw a downward curved line that runs across the forehead from one side of the head to the other to make a hairline. I consistently start with the head but it doesn t really matter what part of the body you start drawing if you re comfortable and get a good result. Get used to drawing this basic figure with a light hand since the finished body will be built up over it. This ability to simplify can be applied to the features of the face but when starting the drawing you could look even further.
I realized while practicing gesture drawing that usually the model got stuck in my head. By doing this there is no hesitation at the start of every pose as i know exactly how i want to start. Look past all the distracting details and visualize the underlying forms. Placing the features then is simply a matter of drawing the crossing midlines under the desired angle all three of them at once now.
If unsure or are having a hard time then i do suggest trying with the head first. We can then divide the top and bottom half as before creating slices in the egg bearing in mind that the slices closest to us will look thicker. There are 15 references cited in this article.
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